The editing
process involved mostly outboard equipment, for the kick we used the Focusrite
gate with the TFpro P38 compressor set to mimic the 1176 vintage compressor
having a ratio of 4 to 1 with a fast attack and a short release time to create
a pulsating effect.
The snare has the same treatment applied to in but instead
of the 1176 we used the Focusrite compressor with a slightly higher ration and
threshold, also the release time is higher to capture the ringing of the snare
and the makeup gain is boosted to about +6dB.
Both of them are being daisy
chained and used as an insert. I used the MPX 1 set to be on the first aux of
the desk where I send the snare and then I experimented with the electric
guitar. The MPX was straightforward in terms of settings, I gave it a short pre
delay with a reverb tail of around 0.7 sec and the dry/wet mix set a around 36%
gave it the boost needed to fit in the mix.
The connection was in mono for the MPX1 effects unit but a good gain structure was achieved.
Everything was rerecorded a couple
of times at different gain level and with different setting in order to have
spear takes. Unfortunately, I had a surprise and my booking was cut in half and
also the room was different and I had plenty on background noise and I could
not do much having only 4 hours at my disposal with the working guys breaking
bricks on the next floor.
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